'Arts for Everybody' Initiative Encourages Inclusivity in Baton Rouge's Renoir Cultural District

Originally released by East Baton Rouge Parish Housing Authority

[Baton Rouge, LA] The Arts for Everybody event, part of the national initiative to improve community access to the arts, celebrated progress in Baton Rouge’s Renoir Cultural District. The ribbon-cutting ceremony, hosted by BREC and The Red Stick Project at Tickie Saia Memorial Park, featured public art installations, poetry readings, and family-friendly activities.

Attendees appreciated murals by Elliott Guillory and a multilingual poem created by local Louisiana Creoles and Kouri-Vini language activists, Jonathan J. Mayers and Henry Johnson, curated by Ellen Ogden. Speeches were made by BREC officials, the Mayor of Baton Rouge, local artists, and the founder of The Red Stick Project. Family-friendly activities, such as music, snow cones, and health checks, attracted people of all ages.

The designation of the Renoir Cultural District by the Louisiana Office of Cultural Development has helped create a strong sense of place and pride in the community. Community developer and arts producer Evelyn Ware has worked with area stakeholders and residents to improve properties and neighborhood security while highlighting arts and culture. The redesign of the murals, incorporating input from local artists and children and including the Starry Night Over Red Stick mural, recognizes the unique North Baton Rouge heritage.

This collaboration serves as a model for addressing community, accessibility, and history, bridging cultural gaps, and fostering pride in the area's multicultural community. By recognizing the diversity in Van Gogh's influences and sharing Louisiana's Creole heritage, the new signage, poem, and murals educate the community on art history. This event not only celebrated progress in the Renoir Cultural District but also encouraged inclusivity in the Baton Rouge community overall.

Baton Rouge is Home to A Unique Collection of French Impressionist Paintings

Baton Rouge is home to a unique collection of French Impressionist paintings — and it's not in a museum. 

North of the former Bon Marche Mall, near the intersection of Florida Boulevard and Lobdell Avenue, where streets are named for painters like Renoir, Monet, and Van Gogh, a public art gallery has flourished.

Over the past decade, dozens of blighted storefronts and abandoned lots in the Melrose East neighborhood have been rejuvenated with extravagant, brightly painted murals.

That's thanks to the nonprofit Red Stick Project and its founder, Evelyn Ware-Jackson, whose mission it is to restore "pride, purpose and passion" to the city's neighborhoods through artwork.

It's part of an effort to reclaim the identity of the once-struggling neighborhood — nicknamed "Mall City" by drug dealers, according to Ware-Jackson — and elevate its residents through community engagement and educational outreach. 

The project is anchored at BREC's Saia Park, where a massive mural of Van Gogh's "Starry Night" overlooks swing-sets and basketball courts. Amidst the mural's lush blue swirls, there's a Louisiana twist: a rendering of the State Capitol building alongside the Mississippi River Bridge.

The mural also depicts five people walking towards an intersection. That's a nod to the neighborhood's history when a group of property managers forced the drug dealers out, said Ware-Jackson, a longtime community leader who serves on the East Baton Rouge Parish School Board. 

Ware-Jackson's first task when she started Red Stick Project in 2009 was educating the neighborhood on the street names, many of which, with their silent letters and odd spellings, had been mispronounced for decades. 

“It’s actually ‘Cezanne’ spelled this way, and not ‘Suzanne’,” Ware-Jackson said of some of her conversations. She added that she recognized the name "Goya," but only from the cans of beans at the grocery store.

That learning curve has been accelerated with a mural that features portraits of the eight artists, a brief timeline of their lives, and a cartoon map with the labeled streets. Another painting includes the phonetic spellings: MOE-nay, van-GO, say-ZAHN, REM-brandt, TIH-shiun, rehn-WAR, GOY-uh, RO-dan.

The project has always been about more than beautifying the neighborhood. The murals were created with the help of dozens of local children and community leaders and each production was tied into a STEM — science, technology, engineering, and math — curriculum. 

That meant introducing simple math problems to students through the artwork, like calculating the mural's square-footage and measuring how many gallons of paint were needed. Now that most of the murals are complete, Ware-Jackson hosts "STEM-drops," where educators give talks in front of the murals, such as discussing weather at the mural depicting Titian's clouds or astronomy at the "Starry Night" mural.

Ware-Jackson said she's working on a coloring book showcasing the murals and an animated video. 

Beyond adding a few Louisiana landmarks here or there, the depictions of the centuries-old paintings were modified in other ways to fit the character of the neighborhood. The original European artwork largely features white characters, so Ware-Jackson took the liberty of "adding a little bit of melanin" and tinting some skin tones to "have a better representation of who actually lives in the neighborhood."

They also settled on depicting only the clouds from Titian's paintings because, as Ware-Jackson said, his art was not family friendly. "Although he was alive in the 1400s, his stuff was very risque,” she said, with naked women and gory battles. 

The Red Stick Project will soon take on a more high-profile role as one of the arts and culture partners for Baton Rouge's Choice Neighborhood's project, which is leveraging a $29.5 million grant from the Department of Housing and Urban Development to revitalize communities like Melrose East, Smiley Heights and East Fairfield.

J. Wesley Daniels, the CEO of Baton Rouge's Housing Authority, said the murals helped show HUD officials the "power of place making" and the efforts already underway to revitalize the community. 


"Evelyn continues to reinforce the idea that art and culture can be used as a redevelopment tool," Daniels said. 

The nearby Johnson's Grocery-Mkt was painted with Van Gogh's "Wheat Fields" and a rusty post out front was redesigned with the artist's famous sunflowers to look like flower vase. 

When Ware-Jackson reflects on the impact the murals have had on the Melrose East neighborhood, she points, fittingly, to a mural: Renoir's "Lady."

In Renoir's original portrait, the woman is dead, with pale skin and gray eyes, Ware-Jackson said. When the Red Stick Project painted their own rendition, they brought her to life, giving her a warm complexion and lively eyes.

"It's just like Melrose East," Ware-Jackson said. "She's a beautiful lady who's waiting to have her beauty uncovered."

Bon Carre's New Owners Plan to Turn Center into a Tech Hub

Originally published by Greater Baton Rouge Business Report

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The owners of the South Carolina real estate investment firm that recently acquired Bon Carré Business Center for an undisclosed price plan to make a major investment upgrading the 71,000-square-foot office park and turning it into the tech hub that community leaders in Baton Rouge have long envisioned. 

Jim La Marche and Matt Chapdelaine, principals of EdgePWR, decline to disclose what they paid for the building or their budget for the project.

But they say their plans include making cosmetic improvements to the facility—adding natural light and green spaces to the former shopping center, for starters—as well as buildouts to the infrastructure that will enable one of Bon Carré’s key tenants, Venyu Data Center, to expand into some of the 25,000 square feet that is currently vacant.

“We’re real estate investors who partner with data center operators and provide them with the capital to expand their operations,” La Marche says. “In this case, we have Venyu, which is one of the leading data center operators in the state, and we are working with them to build out their space so they can continue to serve that market.”

Venyu’s presence in the business park initially attracted EdgePWR to the Baton Rouge market but the successful data center is not the only reason the firm sought to acquire Bon Carré, which has been owned since 2018 by out-of-state lenders, who took the property back after Commercial Properties Realty Trust defaulted on its $36 million mortgage. 

Rather, it’s the potential the firm sees in the facility, which is anchored not only by Venyu but by the Louisiana Business and Technology Park.

“Bon Carré has the bones from an infrastructure perspective to be able to support tech evolution,” La Marche says. “The tech park is a great incubator and we would love to see tenants who graduate from that be able to take space in the building and have it be like a graduate program.”

The executives say they have made multiple trips to Baton Rouge and met with community leaders to get their input on what Bon Carré could be and how reimagining certain elements of the facility could better serve the market.

“It’s perfectly situated, near Government Street, very close to downtown,” La Marche says. “There are many ways we can engage the community. Perhaps we carve space for a farmer’s market. I’ve been struck when we meet with people that they remember Bon Carré from when they were a kid. They all have a story. There is a heartstring there for people. How do we pull on that heartstring? How do we reengage that heartstring?”

EdgePWR’s hope for the facility comes after two failed attempts in 2018 and 2019 by Bon Carré’s owners to sell the property at auction, the second of which had a minimum bid of just $6 million.

La Marche and Chapdelaine decline to say whether they paid less than $10 million for the property, though sources familiar with the situation say the estimated range is between $5 million and $10 million.

Sale documents have not yet been filed with the East Baton Rouge Parish Clerk of Court because of the Thanksgiving holiday. It is unclear whether the documents will record a sales price or record the transaction price for a nominal fee ‘and other valuable consideration.” 

Chapdelaine does say that the price the firm paid does not reflect the significance of the investment EdgePWR plans to make in Bon Carré. 

 “Acquisition price is one thing but we don’t view it as just an acquisition,” he says. “We view this as a development. The acquisition price will pale in comparison to the capital dollars we plan to invest in it. We’re looking to invest heavily.”

Renoir District Earns Cultural District Designation from State

Originally released by East Baton Rouge Parish Housing Authority

The Renoir Arts and Cultural District in North Baton Rouge has been certified as a “Louisiana Cultural District” by the Department of Culture, Recreation and Tourism.

The new district includes the encompassing communities of East Fairfield, Smiley Heights and Melrose East (bordered by Florida to the south, Choctaw to the north, Lobdell to the east and Foster to the west) that has long-established creative assets who collectively provide vital cultural access throughout the community.

The community is also integrating the arts into its transformation efforts, to enhance civic engagement, reduce crime, stimulate economic growth, eradicate blight and establish the cultural identity of the area.In the Fall of 2019, the U.S. Department of Housing and Urban Development (HUD) awarded the city of East Baton Rouge and the East Baton Rouge Parish Housing Authority a $29.5 million Choice Neighborhood Initiative grant, to implement its “BR Choice” transformation plan, that overlays the cultural district.

The Renoir District joins eight new cultural districts in Louisiana approved by the Lt. Governor last week.The certification allows the Renoir District to benefit from state historic tax credits and makes the sale of qualifying works of original art within the district exempt from local sales tax.

A Louisiana Cultural District designation places a focus on revitalizing communities by creating a hub ofcultural activities. This is in line with the BR Choice transformation plan that highlighted the unique characteristics of these neighborhoods through a three-part approach of Resiliency, Placemaking and Innovation.

“As a focal point in the Placemaking theme, we highlighted the numerous arts and cultural assets (and partners) throughout the neighborhood. Ironically (and fortuitously), we coined the area “Renoir Arts and Cultural District” on the maps depicting the redevelopment areas. This opportunity truly fullfils the intent of the transformation and completely aligns with the investment by HUD and our local partners”, said EBRPHA CEO J. Wesley Daniels, Jr. 

The Cultural District application was made by the East Baton Rouge Housing Authority which has joined forces with the city of Baton Rouge, the Baton Rouge Area Foundation, Build Baton Rouge and others to transform the once down trodden area into a mixed-income, mixed-use redevelopment offering access to education, economic opportunity and health and wellness.

“This area is blessed with an abundance of public art, cultural assets and opportunities for artists to learn and perform”, said Janelle Brown, EBRPHA Choice Neighborhood Director. “The planned transformation will draw people from throughout the greater Baton Rouge area and help create an even stronger sense of community pride”.

Among the arts and cultural icons in the community is the Red Stick Project which has given the Renoir District its identity through murals recreating the works of French impressionists such as Monet, Renoir, Van Gogh and others. Existing musical treasures such as the Zeagler Music Store (now Music & Arts), the Chorum Hall Jazz Club, the Baton Rouge Little Theatre, Tipitina’s Music Office Co-Op, the Texas Club and Club Excalibur.

Baton Rouge Community College adds further credence to the region with classes in music, film, theater, and art. BRCC also hosts plays, musicals, stage shows, and live performances at its first-class Magnolia Theatre and boasts several original paintings and renderings at the McKay Automotive Technology Center.

“The Louisiana Cultural District designation from the state lets us know that others are taking note of our efforts to restore pride, purpose and passion in Baton Rouge communities through the arts,” said Evelyn Ware, Board Chair of the Red Stick Project.

“We were delighted to learn that the Renoir District has been recognized as a Louisiana Cultural District,” added Renee Chatelain, President & CEO of the Arts Council of Greater Baton Rouge. “Thereare many artistic treasures in the area and this exciting news will help us to not only preserve but alsoexpand the creative capacity of the region”. 

“Louisiana’s Cultural Districts, with 115 Districts in 71 towns and 41 parishes, are the embodiment of what makes our state unique,” added Kelsea McCrary, Director, Civic Design & Cultural Districts Division of the Arts, Office of Cultural Development of the Louisiana Department of Culture, Recreation & Tourism. 

“The mosaic they create are a wonderful example of what occurs when arts and culture are organicallyembedded into community development. These Districts spark revitalization through tax incentives and connections to the Louisiana Division of the Arts and the Office of Cultural Development and are part of a statewide network seeking to grow and enhance the cultural economy.”

 

New program could get Baton Rouge students jobs right out of high school; here's how it works

Originally published by The Advocate

Four Baton Rouge teenagers recently started ninth grade at Broadmoor High, and at the same time they enrolled in college.

Broadmoor high students, from left, Sha’Lisa Paul (IT) Marcus Turner (IT) and Ben Hall (Automotive), are recognized at a ceremonial proclamation signing for the new Early Career Academy partnership of Baton Rouge Community College and the East Baton…

Broadmoor high students, from left, Sha’Lisa Paul (IT) Marcus Turner (IT) and Ben Hall (Automotive), are recognized at a ceremonial proclamation signing for the new Early Career Academy partnership of Baton Rouge Community College and the East Baton Rouge Parish school system.

They are the first students in what promises to be a much larger program known as the Early College Academy. They have a chance to earn enough credit to earn an associate degree while still in high school.

Unlike other early college programs that have popped up across Louisiana in recent years, this program is zeroing in on specific, high-demand, higher-paying job fields. Its goal is it to allow all those who complete the program to walk out of high school and walk right into a job.

Officials with Baton Rouge Community College and the East Baton Rouge Parish school system signed a memorandum of understanding for the new academy in early March. Then the coronavirus outbreak shut everything down.

On Tuesday, officials from the two educational institutions finally reconvened to sign a “proclamation” commemorating this new partnership. Three of the four ninth-graders, the academy’s first participants, were on hand to watch.

Willie Smith, chancellor of BRCC, said graduates of the program can make an immediate impact.

“Could you imagine — we’ll have 18-year-olds now paying taxes — what that will do for our community?” Smith asked

Associate Superintendent Ben Necaise, filling in for Superintendent Leslie Brown — who on Monday made a surprise decision to go on emergency medical leave — addressed the students directly.

“Congratulations for taking that plunge and being the first students to go through this amazing program,” Necaise said. “We can’t wait to see what you do."

The four students from Broadmoor High are pursuing associate’s degrees in either automotive and information technology. More high schools and more degree pathways are to come in the future.

So far this year, they’ve been taking their high school and college-level classes strictly online. On Monday, they are set to return to twice-a-week in-person instruction, taking their traditional classes at Broadmoor High and their field-specific college courses at the school system’s Career & Technical Education Center.

They are the first ninth-graders to attend EBR CTEC. There they will join 155 juniors and seniors from several local high schools.

Sha’Lisia Paul, 14, has been taking three IT courses online and is looking forward to switching to in-person instruction. She particularly remembers a hands-on lab from a school tour she took.

“They showed us drawings and different parts of the computer we could put together,” Paul said.

Marcus Turner, 14, saw a promotional sign for the program in the office when he was registering for school earlier this year and was immediately interested. He’d already been trying his hand at coding and is relishing all that he can still learn about computers.

“You can do so much with them,” he said.

Jamee Rochon, his mother, said she tries to help her children pursue their interests and Marcus has been computer-crazy for awhile now.

“He bought a high-speed gaming computer about a year or two ago and he’s been into computers ever since,” Rochon said.

John Spain, executive vice president of the Baton Rouge Area Foundation, traced the genesis of the program to 2008, when he and other civic leaders were trying to divine why so many teenagers were dropping out of high school.

“We found that they really didn’t have a lot of options,” Spain said. “They would take a state LEAP test, not do well, get frustrated, drop out.”

He heard that Noonan, Georgia, had come up with an answer. On a trip there, he saw that high school students could take classes in collaboration with the local community college and earn an associate degree in high-demand fields while still in high school.

That trip led eventually to the construction of BRCC’s Automotive Training Center, which opened in 2017, and EBR CTEC, which opened up next door the following year.

Adam Knapp, president and chief executive officer of the Baton Rouge Area Chamber, said IT and automotive are fields in Baton Rouge that are “aggressively seeking talent” even amid the pandemic. He said it’s “transformational” to be able to provide such training to high school students in a way that students can also earn an associate degree by senior year

“It’s a wave of the future,” Knapp said.

Smith challenged state leaders who were at Tuesday's ceremony to ensure that “every child that goes to high school in Louisiana has an opportunity for these types of programs.”

“This is an opportunity for Louisiana to lead, to be number 1, if we do it right,” he said.

McKay Automotive Training Center Tour, 10/24/19

CNI Check Presentation, 10/24/2019

Neighborhood, radically reimagined

Originally posted by Baton Rouge Area Foundation

A $29.5 million grant brings the principles of New Urbanism  to North Baton Rouge 

J Daniels, CEO of East Baton Rouge Parish Housing Authority | Photo by Tim Mueller

J Daniels, CEO of East Baton Rouge Parish Housing Authority | Photo by Tim Mueller

Built in 1970, Ardenwood Village in Baton Rouge is a 90-unit public housing development that offers few quality-of-life amenities. It’s almost impossible to take care of daily business without a car here in this commercial industrial area at North Ardenwood and Choctaw Drives. Streetscapes lack trees, as well as architectural cohesion or sidewalks. Neighbors trek miles to reach a supermarkets selling fresh and healthy food. Crime and blight are high; so is unemployment

But Ardenwood Village is poised for transformation. With support from a $29.5 million Choice Neighborhoods grant awarded to Baton Rouge in May by the United States Department of Housing and Urban Development, Ardenwood Village will soon be decommissioned and its residents relocated.

They won’t have to relocate to a new public housing development. Instead, they will move to one of four new mixed-income residential developments to be built on raw land next to the site.

Not until the last residents are relocated will Ardenwood Village be razed. “This is a really important distinction about the Choice Neighborhoods Initiative,” says J. Daniels, CEO of the East Baton Rouge Parish Housing Authority, lead agency for the grant. “We’re not going back with same traditional model of public housing that concentrates poverty in one place. It’s key that we create mixed-income residential developments, and that we broaden the work to the surrounding community.”

Baton Rouge was one of just four cities to receive a Choice Neighborhoods grant in 2019; the others were Newport News, Virginia; Norfolk, Virginia; and Omaha, Nebraska. The Choice Neighborhoods program requires grant recipients to not only demonstrate social need around public housing, but to show a proven track record of engineering successful public and private partnerships nearby.

In other words, the Choice grant is not about rebuilding dated housing, but in rethinking the way we fight neighborhood poverty in the first place, says Chris Tyson, president and CEO of Build Baton Rouge, formerly the East Baton Rouge Redevelopment Authority, a grant partner.

“This was a very competitive grant, but Baton Rouge stood out because we were able to show that we have a tremendous amount of skin in the game,” says Tyson. “We were able to show that we had corralled a significant number of partners, had them agree on a vision for this area, and that we had put our own resources forward.”

Tyson says Baton Rouge demonstrated $335.5 million in existing or planned projects in the surrounding two-square mile area, which is bordered by Florida Boulevard to the south, Choctaw to the north, North Lobdell to the east and North Foster to the west. In addition to Ardenwood Village, this area holds several long-standing high poverty Baton Rouge neighborhoods, including East Fairfields, Smiley Heights and Melrose East.

Also located here is Ardendale, a 200-acre parcel owned by Build Baton Rouge that includes the Career and Technical Education Center (CTEC), an East Baton Rouge Parish high school and the Baton Rouge Community College’s Ardendale Campus, which features the McKay Automotive Technology Center for training automobile mechanics.

“We’re not going back with the same traditional model of public housing that concentrates poverty in one place. It’s key that we create mixed-income residential developments, and that we broaden the work to the surrounding community.”

- J. DANIELS, EAST BATON ROUGE PARISH HOUSING AUTHORITY

Receiving a Choice Neighborhoods Implementation Grant culminated several years of work by a team of partners that included the East Baton Rouge Parish Housing Authority, its nonprofit development art, Partners Southeast, Build Baton Rouge, the City of Baton Rouge/Parish of East Baton Rouge, the Louisiana Housing Corporation, the Baton Rouge Area Foundation, Integral Development Group and others.

The process first began in 2014 when HUD awarded Baton Rouge a $500,000 Choice Neighborhoods Planning Grant, which enabled the partners to spend four years conceiving a winning project.

More than 40 community organizations representing youth programs, health and wellness, the arts and education and workforce, came together to support Baton Rouge’s Choice Neighborhoods’ application.

Nationwide, the Choice Neighborhoods Initiative is the next iteration of HUD’s progressive program Hope VI. While Hope VI invited the country to reject notions of crime-ridden, high- rise “projects” in favor of developments that were humanely designed, it nonetheless concentrated public housing in one locale.

Instead, the intention of Choice Neighborhoods is to bring together public and private partners to replace distressed HUD housing with mixed income residential developments, while also threading a neighborhood network of quality of life amenities related to employment, health and education.

Grantees must also create conditions that help a distressed neighborhood attract public and private reinvestment over the long-term and, in so doing, give residents a chance at leaving generational poverty.

The first phase of the project, estimated to begin in July 2020, is the new residential development, Cypress at Ardendale, a smartly designed 168-unit development that features a mix of housing styles consistent with what Daniels describes as Southern vernacular.

The site plan was designed by Pittsburgh-based Urban Design Associates (UDA) as part of Baton Rouge’s Choice Neighborhoods planning grant. The development features community gathering spaces, landscaping, façade improvements and connectivity to the surrounding neighborhood. It will be flanked by sidewalks and is positioned close to preserved wetlands, which will support drainage and environmental sustainability.

Daniels says Phases 2, 3 and 4 will feature three additional residential developments, including one for seniors. All four developments will be considered mixed-income, with a certain percentage of units reserved for individuals who qualify for public housing. The current residents of Ardenwood Village will ultimately relocate to one of these four sites.

Daniels says the Choice Neighborhoods grants team articulated an overall vision for the area that includes three goals: innovation, resiliency and placemaking. Innovation, he says, means focusing on providing stronger education and workforce development opportunities for neighborhood residents.

Resiliency means smart growth design, so that natural disasters can be weathered better. And placemaking refers to creating hubs of activity where arts, cultural diversity and civic engagement take place.

The area will see a $15 million investment from the CityParish on a pedestrian-friendly, multi-modal connector linking North Ardenwood Drive and Lobdell Boulevard. This new thoroughfare, part of the MovEBR program, will directly link residents on the west side of North Ardenwood with quality of life amenities to the east.

Ninety-two percent of the current residents of Ardenwood Village are African American women heads of household, which has prompted grant partner, YWCA of Baton Rouge, to plan an $11 million Early Childhood and Women’s Development Center within the target area, says Dianna Payton, CEO of the YWCA and chair of the East Baton Rouge Housing Authority board of commissioners.

“This gives us a chance to help women directly with anything they need in a centrally-located, family-friendly place,” says Payton. “With the close proximity to Cypress at Ardendale and other neighbors, we can overcome transportation barriers.”

Once completed, the YWCA Early Childhood and Women’s Development Center will provide Early Head Start, full-day child care for kids from birth to three years. Moreover, says Payton, the Center will make available wrap-around services for women, including parental education and support, take-home family activities, mental health and disability screenings and health care, social service and education referrals.

A major tenet of Baton Rouge’s Choice Neighborhoods grant, says Daniels, is to create a seamless progression of educational opportunities for residents, from child care to secondary and post-secondary institutions.

“Baton Rouge has a poverty problem,” Daniels says, “and education is the great equalizer.”

In addition to the YWCA’s Early Head Start program, the target area includes Melrose Elementary, Capitol Middle, CTEC, Collegiate Academies Charter School, Geo Prep Charter School Mid City, the McKay Automotive Training Center and the Baton Rouge Community College Ardendale Campus. More charter schools will likely come to the area, says Daniels.

Arts and cultural activities are also a main focus of the project, and many will be situated on the providentially named Renoir Avenue, between North Ardenwood and Lobdell. (Other streets nearby are named for seminal painters as well, including Van Gogh, Monet and Titian.)

The Renoir Arts and Culture District will be anchored by existing arts organizations like the Red Stick Project, a community arts nonprofit, and Chorum Hall, which hosts live jazz. Working with partners like the Arts Council of Greater Baton Rouge, Forward Arts, the Manship Theatre, Of Moving Colors and The Walls Project, organizers want to create robust wayfinding, public art and school-based arts and culture activities that restore pride of place and engage the community.

Ultimately, the area will see more than 550 new mixed-income apartments and single-family homes, significantly improved education, arts and recreational activities, better multi-modal transportation and the opportunity for sustained private investment.

Daniels says the project will prove that Baton Rouge is capable of organizing complex partnerships across a wide variety of sectors to untangle the knot of pervasive poverty.

“We’ve thought a lot lately about what community means in Baton Rouge, and it can’t be lost in the narrative that we can get big things done here.” Daniels says. “If there was ever a shining example of us coming together to make something good happen, this is it.”

In Baton Rouge's Melrose East neighborhood, murals flourish; 'using art as a redevelopment tool'

Originally published by The Advocate.

Baton Rouge is home to a unique collection of French Impressionist paintings — and it's not in a museum. 

North of the former Bon Marche Mall, near the intersection of Florida Boulevard and Lobdell Avenue, where streets are named for painters like Renoir, Monet, and Van Gogh, a public art gallery has flourished.

Over the past decade, dozens of blighted storefronts and abandoned lots in the Melrose East neighborhood have been rejuvenated with extravagant, brightly painted murals.

That's thanks to the nonprofit Red Stick Project and its founder, Evelyn Ware-Jackson, whose mission it is to restore "pride, purpose and passion" to the city's neighborhoods through artwork.

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It's part of an effort to reclaim the identity of the once-struggling neighborhood — nicknamed "Mall City" by drug dealers, according to Ware-Jackson — and elevate its residents through community engagement and educational outreach. 

The project is anchored at BREC's Saia Park, where a massive mural of Van Gogh's "Starry Night" overlooks swing-sets and basketball courts. Amidst the mural's lush blue swirls, there's a Louisiana twist: a rendering of the State Capitol building alongside the Mississippi River Bridge.

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The mural also depicts five people walking towards an intersection. That's a nod to the neighborhood's history when a group of property managers forced the drug dealers out, said Ware-Jackson, a longtime community leader who serves on the East Baton Rouge Parish School Board. 

Ware-Jackson's first task when she started Red Stick Project in 2009 was educating the neighborhood on the street names, many of which, with their silent letters and odd spellings, had been mispronounced for decades. 

“It’s actually ‘Cezanne’ spelled this way, and not ‘Suzanne’,” Ware-Jackson said of some of her conversations. She added that she recognized the name "Goya," but only from the cans of beans at the grocery store.

That learning curve has been accelerated with a mural that features portraits of the eight artists, a brief timeline of their lives, and a cartoon map with the labeled streets. Another painting includes the phonetic spellings: MOE-nay, van-GO, say-ZAHN, REM-brandt, TIH-shiun, rehn-WAR, GOY-uh, RO-dan.

The project has always been about more than beautifying the neighborhood. The murals were created with the help of dozens of local children and community leaders and each production was tied into a STEM — science, technology, engineering, and math — curriculum. 

That meant introducing simple math problems to students through the artwork, like calculating the mural's square-footage and measuring how many gallons of paint were needed. Now that most of the murals are complete, Ware-Jackson hosts "STEM-drops," where educators give talks in front of the murals, such as discussing weather at the mural depicting Titian's clouds or astronomy at the "Starry Night" mural.

Ware-Jackson said she's working on a coloring book showcasing the murals and an animated video. 

Beyond adding a few Louisiana landmarks here or there, the depictions of the centuries-old paintings were modified in other ways to fit the character of the neighborhood. The original European artwork largely features white characters, so Ware-Jackson took the liberty of "adding a little bit of melanin" and tinting some skin tones to "have a better representation of who actually lives in the neighborhood."

They also settled on depicting only the clouds from Titian's paintings because, as Ware-Jackson said, his art was not family friendly. "Although he was alive in the 1400s, his stuff was very risque,” she said, with naked women and gory battles. 

The Red Stick Project will soon take on a more high-profile role as one of the arts and culture partners for Baton Rouge's Choice Neighborhood's project, which is leveraging a $29.5 million grant from the Department of Housing and Urban Development to revitalize communities like Melrose East, Smiley Heights and East Fairfield.

J. Wesley Daniels, the CEO of Baton Rouge's Housing Authority, said the murals helped show HUD officials the "power of place making" and the efforts already underway to revitalize the community. 

"Evelyn continues to reinforce the idea that art and culture can be used as a redevelopment tool," Daniels said. 

The nearby Johnson's Grocery-Mkt was painted with Van Gogh's "Wheat Fields" and a rusty post out front was redesigned with the artist's famous sunflowers to look like flower vase. 

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When Ware-Jackson reflects on the impact the murals have had on the Melrose East neighborhood, she points, fittingly, to a mural: Renoir's "Lady."

In Renoir's original portrait, the woman is dead, with pale skin and gray eyes, Ware-Jackson said. When the Red Stick Project painted their own rendition, they brought her to life, giving her a warm complexion and lively eyes.

"It's just like Melrose East," Ware-Jackson said. "She's a beautiful lady who's waiting to have her beauty uncovered."

HUD Delivers $29.6 Million Choice Neighborhoods Implementation Grant to Transform Baton Rouge Public Housing, Neighborhood

Originally published by HUD.gov

On October 24, 2019, Assistant Secretary for Public and Indian Housing Hunter Kurtz visited Baton Rouge to deliver a $29.5 million Choice Neighborhoods Implementation Grant to the East Baton Rouge Parish Housing Authority (EBRPHA) and City of Baton Rouge to transform the Ardenwood public housing development and surrounding East Fairfield-Smiley Height-Melrose East neighborhood.

AS Kurtz was joined at the press event by Baton Rouge Mayor-President Sharon Weston Broome, EBRPHA CEO J. Wesley Daniels and Keith Cunningham, Executive Director of the Louisiana Housing Corporation, a major financial supporter.

The CNI grant is the last funding piece in the city’s Transformation Plan, which has coalesced more than 60 neighborhood, local, state and federal partners to turn the Ardenwood area from poverty and high crime into an “Urban Creative Village” with housing, schools, job training, transportation and arts promotion. Including the 93 units that will be replaced in the Ardenwood complex, 434 housing units will be built over four phases.

Resident Beverly Claiborne summed it up by saying, “From the cradle to a career-that’s where we’re going now. And we want to thank HUD for believing in us and in our ability to do this.”

HUD PIH AS Kurtz, East Baton Rouge Housing Authority Board Chair Dianna Payton and BR Mayor-Pres Sharon Weston Broome at press event.

HUD PIH AS Kurtz, East Baton Rouge Housing Authority Board Chair Dianna Payton and BR Mayor-Pres Sharon Weston Broome at press event.

PIH AS Hunter Kurtz being interviewed by the media at the CNI press conference.

PIH AS Hunter Kurtz being interviewed by the media at the CNI press conference.

Baton Rouge Mayor President Sharon Weston Broome speaks at the CNI press event.

Baton Rouge Mayor President Sharon Weston Broome speaks at the CNI press event.

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